Sunday 23 August 2020

No.220 : The Deceived (TV) (2020)



A change of pace for us now as we delve into the box sets section of the ‘My5’ app - Channel 5’s online offering. I’m sure this show would have broadcast on their main platform but it passed me by. I don’t watch much Channel 5 to be honest, as I largely dismiss it as a lot of tabloid nonsense and soaps. This sweeping view wasn’t totally discouraged as the inescapable ads that peppered this app viewing were for programmes about being fat and WWF Divas. ‘The Deceived’ may however be their attempt to get away from such risible rubbish (there was also a trailer about a show about what happens to your rubbish) as this was a pretty decent, quality production.

The series has only four episodes of about 44 minutes each so you could easily see it off in one evening, as we did. It’s debatable whether there is enough material to fill two and a half hours of viewing, but lubricated with a bottle of wine it passed the night in a decent, if largely unmemorable manner.

The film opens with Cambridge student Ophelia eyeing up her bearded lecturer, Michael. Michael has a beard that a bird could nest in and looks like Mac out of ‘Always Sunny’, but the girls all agree he’s dreamy. The two meet up in the time honoured fashion of her dropping papers and him helping to pick them up, and soon they are having awkward looking sex in his office chair. Michael’s wife is a successful author and he’s living in her shadow, but he does have a new book of his own coming out.

He seems to put it about though, and Ophelia gets warned off when she and a friend witness Michael fighting with another woman. He then disappears and after some detective work Ophelia tracks him to his remote home village in Ireland. It turns out that Michael’s wife Roisin has died in a fire and he has returned home to sort out the house and her affairs. His day gets even better when Ophelia announces that she’s pregnant.

She moves into the creepy, half burnt out, family pile and soon starts to hear strange noises coming from a locked room. She also gets attention from a local handyman and an overbearing mother figure who suspects that Ophelia may not be the literary agent that she claims to be.

As the episodes go by a young man appears looking for his missing sister and Ophelia starts to see and hear strange goings on. Why is everyone feeding her tea and what really happened to Roisin on that fateful night?

I quite liked this workmanlike mystery thriller. As soon as it got underway you knew where it was going and the only cliff-hanger was which of the obvious outcomes would the writers chose for the big revelation. There was more than a little of ‘Rebecca’ about the whole enterprise with it clear to us that Ophelia wasn’t going nuts, and that there were strange happenings afoot.

I’m not the sharpest at such things but even I cottoned onto the twist by episode two and it was a long 90 minutes wait to see things pan out in the predicted fashion. To be fair it was well made with rural Ireland and Cambridge both looking great. The cast was largely good with there being no big names to distract you. Emmett J Scanlan in the lead had most of the heavy lifting to do, and he carried it off well moving from charmer to…something else, with relative ease. I was less sympathetic towards Emily Reid as Ophelia who was a bit needy and annoying.

Overall I think this could have been condensed into a 90 minute film as there was plenty of padding and subplots, like that with the builder, not going anywhere. There was nothing you haven’t seen before, but as a lockdown time passer you could do worse.

THE Tag Line : No Mystery Here! 61%

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