Showing posts with label cannibals. Show all posts
Showing posts with label cannibals. Show all posts

Monday, 29 July 2013

No.114 : The Colony (2013)



 If you thought ‘The Day After Tomorrow’ lacked some mutant cannibals then this could be this film for you.

It is the future and it’s very cold. “The snow started and then didn’t stop” says the ominous voiceover - not sure how that would work but only the tops of street lights are peeking through the snow and no one has had their milk delivered for ages. We learn that most people are dead apart from small colonies living underground.

They manage to grow plants from their seed bank and have some rabbits but things are deteriorating fast. The rabbits have stopped shagging and Bill Paxton is on security detail. A recent flu bug killed 20 of the survivors and sniffles are now a near capital offence. Kindly leader Laurence Fishbourne puts anyone with a runny nose into quarantine and if they don’t get better they can have a bullet or a long walk into the icy wastes. Mentalist Bill prefers a bullet only prescription.

The colony keep in touch with other sites but Colony 5 have gone offline. Laurence takes a few men to check things out and warns Bill not to shoot anyone. The arduous trek across the frozen wastes takes about five minutes and fortunately for the budget Colony 5’s base looks an awful lot like Laurence’s Colony 7. No one answers the door and our heroes sneak in to take a look. They find loads of dead bodies and predictably one survivor who has gone a bit loopy.

A dig about finds a handy stash of dynamite as well as a recording of a transmission that suggests a thaw may be on the way. Sadly their luck runs out as they find a charnel house of mutant cannibals in the kitchen who are scoffing the colony’s former residents. After losing a few men Laurence and the young good looking one escape but with the cannibals in hot pursuit. Will they make it home and will what awaits them be worse than what they have fled? Will the climate reboot and will our heroes' values hold against a big man with pointy teeth?

This was a decent enough effort if you can overlook the thin plot and thinner characters. There is the usual gubbins about climate change but if you take this film as a portentous warning about what the future holds you are probably the kind of person who gets nutritional advice from Michael Moore. Essentially the whole film can be summarised as ‘group disturbs nest of cannibals and then gets chased home by them’. Not so much a movie plot as a game of tag.

The film does try to commentate on the human condition with the dehumanised Bill a foreshadow of the even more brutal cannibals. Towards the end when the gloves are off even those who seemed ‘normal’ end up chopping heads with a salad slicer. The gore is low key with the butcher house scene the worst although even that was so broad as to negate its impact. Fair enough cannibals can be sinister but these were the full leg waving chompers sitting amongst fires and piles of dismembered bodies. Subtle it is not!

Despite a low budget, that involved a series of endless tunnels which looked like a tribute to ‘Dr Who’, it was fast paced enough to keep me interested and the loss of a star after an hour signalled either a brave director or that the last few bucks had run out.

At a trim 90 minutes the film didn’t outstay its welcome and despite their ridiculousness I quite enjoyed the OTT troupe of permanently hungry people eaters.

THE Tag Line - Needs Heating Up  64%


Saturday, 7 August 2010

No.50 : The Hide (2008)



A 90 minute film of two guys talking in a bird watching hide may not be the sort of thing most people would be attracted to but there was enough happening in this taught drama to keep me interested.

We open with the gay dad off ‘The In-Betweeners’ arriving at the titular structure ready for a hard day’s twitching. He’s seen all but one of Britain’s native species of birds and the conditions are ripe for him to tick off the last on his list. We know he’s a bit obsessive compulsive by the way he arranges his note books and equipment but at least he remembered to bring lots of sandwiches.

He’s barely eyed up his first bird when his solitude is ruined by someone at the door. We’re bound to be a bit worried as the new guy has tattoos and a bottle of wine - and there’s not much left! The conversations starts somewhat muted as the two men try to figure the other out. The older man, Roy, is by the book and very ‘old school’. He doesn’t care for the younger man, Dave’s, analogies featuring ‘nun’s bums’ and is clearly worried for his safety. He does have a friend at the other end of a walkie-talkie but sadly it’s one of those devices governed by the movie convention that it can only work intermittently and give out garbled half messages capable of being misunderstood.

Dave seems a lit of a loose cannon who’s capable of flying off the handle like so many lapwings. We really start to worry when we see that he has a gun and that a police helicopter is searching the area. But wait! Could we have gotten it wrong and the police’s target is someone other than the wine guzzling, tattooed miscreant? Better have another sandwich and mull it over…

I caught this film late night on ‘Film 4’ having never previously heard of it. It engaged me from the off and despite not enjoying ‘talking heads’ films I stayed to the end, enjoying every turn.

The two leads are both excellent as they’d really have to be for you to buy into the film. It has its origins as a stage play and it’s easy to see that in the single set production and cast of two. I liked the stiff and uptight Roy who was slowly dismantled as the film progresses. From his aloof and superior openings he was eventually reduced to talking about his ex-wife and his plans for her and her lover. Dave on the other hand had the opposite arc, starting out wild and random and ending up a bit sensitive and sympathetic.

The twists were well thought through and logical given the progression of events. There is one genuine ‘eeurgh’ moment amidst a lot of fast talking and deconstruction. You could argue that the central plot and eventual wrong foot are telegraphed from the start, and although I accept that, it was infinitely better than having a third character showing up in the last five minutes to turn things around.

It may be low budget but the crackling script and two excellent performances mean that ‘The Hide’ shouldn’t stay hidden on your movie radar

The (Spoiler) TAG Line : We Put Body & Soul Into Our Sandwiches! 70%