Showing posts with label predictable. Show all posts
Showing posts with label predictable. Show all posts

Saturday, 23 February 2013

No.72 : The Cave (2005)



If you’d asked me to write a short review of The Cave without having seen it I’d have guessed something along the lines of ‘a group of kids gets stuck in a cave and get picked off one by one by monsters’. And having seem the film that potted review would have been uncannily accurate!

It is however better than you’d expect and certainly worth more than the 4.9 currently awarded to it by the IMDb. It is predictable, offering little in the way or innovation or surprise but there was enough to keep me engaged to the end and dare I say it - ready for more?

We open “30 years ago in Cold War Romania” to find a group of men heading up a mountain pass. They are driving a big armoured personnel carrier but their motivation isn’t clear. At first I thought they were mercenaries or looters but it seems they were just potholers looking for a cave . Strange choice of wheels though and why bring along an explosives expert? The explosives expert is nothing of the kind and manages to blow up the small church the cave entrance is supposedly hidden in, as well as the surrounding mountains. The hapless gang fall into the titular cave never to be seen again - or will they?

Of course these nitwits failed to observe even the basic rules of horror films - they weren’t nearly sexy enough and they ignored a big skull and crossbones on the floor. Still, 30 years in a cave will fix them!

We flash forward 30 years and a far sexier group of college kids are seeking some thrills. They have heard of the legendary Rumanian cave and manage to find the entrance in five minutes. They have loads of high tech gear including sonar emitters and camera equipment and surely they are prepared for anything. Hmmm.

They set up camp and plot out their next 12 days of exploration. They find an albino mole and the voice of exposition says that things evolve quickly and differently underground - remember that for later! In no time flat there is a cave-in and our people are trapped - and they’re not alone!

Minor cast members are picked off and we learn that the monsters stalking them are the potholers of 30 years back, who have evolved into extras from ‘Aliens’ that can fly too - they weren’t lying about that rapid evolution! Using improbable logic the surviving lady determines a parasite is invading host bodies and turning them into the monsters they encounter. The metamorphosis initially takes the shape of them wearing snake eye contact lenses but for how long can they fight before they turn for good? Can anyone escape and should they even try, given the nature of the parasite?

Despite misgivings I enjoyed ‘The Cave’ - I was anticipating a lot of shouting in the dark but the cave was remarkably well lit something that didn’t seem to surprise our heroes and frankly it was a welcome sop to the viewer. The monsters were a familiar mix of teeth and slime but pretty vicious and persistent. Some of the attacks were marred with too many fast cuts and it was hard to see what was happening - whether this was to emphasise panic or a depleted budget I don’t know.

The cast were all young and fit apart from the craggy professor -and he got dispatched early. The only familiar name to me in the cast was Lena ‘Ma-Ma’ Headey and she gave a good showing despite the far-fetched subject matter.

At a tight 90 minutes the film kept a good pace with new monsters appearing to thwart each plan of escape - wasn’t expecting that flying one at all! A lot of throwaway nonsense but entertaining throwaway nonsense and well worth a look.

THE Tag Line -  Cave a Near Rave! 68%


Tuesday, 12 February 2013

No.69 : The Expatriate (2012)



Aaron Eckhart takes the title role in this by the numbers Euro-Thriller.

He plays Ben, a single Dad working in Brussels who is employed as a security tester. He shows his bosses ways to disable various locks which is immediately relevant as we’ve already witnessed a robbery during which a safety deposit box, which has just the kind of lock he’s been working on, gets nicked.

We see he has a mouthy daughter but he a good man, evidenced by the fact that he buys the black security guard at his office a coffee. His seemingly humdrum life starts to dismantle when he questions whether his company owns the patents of the locks he is breaking.

When he arrives the next day his office has disappeared in a scene reminiscent of ‘Moonraker’, ‘Capricorn One’ and virtually every ‘paranoia’ thriller you could mention. It gets worse when he discovers his cash, emails and employment history has been scrubbed. Fortunately his annoying daughter’s peanut allergy necessitates a visit to the E.R. which saves him from meeting the hit men who have dispatched his co-workers.

Aaron goes on the run with his daughter in tow and after a low rent car smash he realises that he can trust no one. Slowly the pair start to piece together the conspiracy which predictably involves Black-Ops C.I.A. agents and an evil corporation that sounds like ‘Haliburton’ which is managed by a Rupert Murdoch look-alike.

As you’d expect there are spooks on every corner and the daughter realises that dad didn’t get those face kicking and bomb making skills by doing his alleged dull government job. After plenty of running around Belgium the secret documents that may save the day are secured but the daughter held is hostage - can Aaron get the girl back and sort out the bad guys?

I didn’t read any reviews or indeed had heard of this film before my viewing but I’m sure every one starts with ‘Bourne knockoff’. It’s a distinction hard to avoid seeing as it basically copies every facet of that franchise. In both we have an unsettling conspiracy with ‘the trust no one’ vibe throughout - even the nice coffee liking security man is in on it! We also have a ‘Treadstone’ -esque black ops group with dozens of cannon fodder grunts. Where Bourne has amnesia we have the device of the tag along daughter to reveal Aaron’s talents and we also have the character of the girl on the bad guys’ side who helps out too.

If you’d seen the film in isolation you’d probably quite like it ;but the usually winning Eckhart appears to have left his charisma behind at customs. The action is OK but the genre’s cuts heavy approach is present and correct in its often confusing jerky motion. The budget must have been small however, with not much expense evident when the baddie’s car breaks a tinfoil barrier before slowly rolling down a hill .

The daughter was largely used as a means of peril and explanation - “Do you want to know what daddy did in the C.I.A.?” Unsurprisingly she saves the day several times reminding me of the niece out of ‘Inspector Gadget’ in the annoying stakes.

The film gets a bit unnecessarily complex in the middle and it seems like they are trying to make a dull script a bit more sophisticated by adding layers to the puzzle. If you can get over that and just wait out the predictable plot points you’ll have an average slice of workmanlike spy fodder that passes the time, leaving nothing memorable in its wake..

THE Tag Line : Jason, are you using that script?  61%