Friday 19 January 2018

No. 134 : The Magus (1968)




Woody Allen is quoted as saying that if he had his life again he’d change nothing except that he wouldn’t watch ‘The Magus’ a second time. I can see where he’s coming from as it’s a frustrating and difficult film, but you will see worse and at least it’s always sunny!

Michael Caine stars in his seventh Definite Article outing at Nicholas Urfe (pronounced ‘earth’), a young teacher who is starting an assignment working at a remote Greek school. His predecessor killed himself and the conditions may have something to answer for - no OFSTED pass here! He’s told that 'there are no women here' to which he relies ’Good’. No, not like that - he’s nursing a broken heart!

We see in flashback his romance with a French air stewardess who shows him her prized glass paperweight with a flower inside - the self same one Caine receives as a gift in the post. He looks somewhat saddened - maybe he was expecting a consignment of nudie mags when the postman appeared?

Anyway, to wile away the time Caine wanders around the island and soon meets Anthony Quinn who is hamming it up as usual. His character is Conchis (pronounced ‘Conscious’) and he starts to entrance/annoy Caine with a series of mind games and parlour tricks. He reads Caine’s tarot cards and explains ‘The Magus’ (that’s the name of the film!) card represents the magician. He also goes into flashback mode to explain his own heartache and morphs into a young Trigger. Trigger is so young his broom is on its first head and second handle and he’s dodging the war draft and upsetting his lady love at the same time.

Meanwhile Cane is seeing a foxy Candice Bergen in 1920’s garb and lots of fantasy hallucinations. Quinn reveals he’s actually a shrink and Bergen is his nutty patient. Caine doesn’t know who to believe when Bergen says she’s sane and lets him have a big kiss. With his air hostess erstwhile girlfriend heading by for a layover and no teaching being done whatsoever, we have to wonder who is mad, who is sane and who will watch to the end to find out?

After an nice skinny dip with the air hostess Caine lets her go in preference to Bergen who may or may not be nutty. Quinn meanwhile gives up a bit of his backstory and a sorry episode involving his time as mayor during the Nazi occupation. Caine is indifferent but gets interested when the Nazis appear and start to bother him. Is the whole thing a film set? A hallucination? A pretentious journey into the troubled Caine’s mind? Don’t ask me, I just watched it!

There is so much happening in ‘The Magus’ that it’s hard to totally dismiss it. It is a disjointed mess but there are good bits, especially Quinn’s impossible dilemma when he has the choice of bashing three partisans to death or letting the Nazis kill 80 locals. Actually that one doesn’t seem too tough.

The film doesn’t have a coherent narrative and you get the sense that this was the plan throughout. You could imagine polo necked film students getting a lot from analysing every frame, but for a casual viewer seeking entertainment ‘The Magus’ can’t be recommended.


  • Well, apart from the unreleased ‘The Debtors’ that’s the Caine Definite oeuvre covered. It’s been a mixed bag at best but from an enjoyability standpoint alone I’d rank them best to worst as Actors, Hand, Statement, Destructors, Swarm, Island, Magus.

25% TAG Line : Make it Disappear!

Wednesday 10 January 2018

No.133 : The Statement (2003)

He makes a lot of Definite Article  movies does Michael Caine and we thank him for that. Still we’ve yet to see ‘The Magus’!

This one opens with some captions to set the scene - it’s 1944 and the Nazis are occupying France with the help of the Vichy government. We cut to some scenes shot in black and white, which is no doubt helpful to people who can’t distinguish between the past and the present day. Anyway a young Frenchmen is helping the Germans round up some Jews who are then shot. This young man sounds like Michael Caine which is helpful as he doesn’t look anything like him. I quite liked this technique - at least it was different to the usual fade into the older version of the character ploy.

We then move to colour as someone types out ‘The Statement’ - a document naming Caine’s character and the reasons why he has been executed by some Jewish revenge seekers. If you doubted their motivation they have went the extra mile by getting a large STATEMENT stamp made which is used to emboss the document in bright red ink. The trick is how to get the document onto Caine’s dead body as the old boy is still kicking - and kicking hard.

We first meet him at a pavement cafĂ© enjoying a beer. His idyllic lifestyle is soon to hit a few bumps however, as a man with a photo of Caine is eyeing him up. Unfortunately he’s not an autograph hunter and soon gets bumped off by the septuagenarian swastika wearer in a scene that was surprising to the victim, but not to anyone who’d been paying the least amount of attention.

We then move to Paris were a new judge (Tilda Swinton) has been appointed to investigate crimes against humanity - and Caine is top of her list. Strange the French gave this high profile job to a 30 year old Scottish woman but at least she has Jeremy Northam (Cyber) to give her a hand, but little else. The two take an age to make much progress, hampered as they are by the machinations of the catholic church and a shady organisation run by Baron Munchausen.

After the best part of two hours they eventually get close to their quarry - will the STATEMENT be delivered and will those responsible for letting Caine roam free for 40 years be brought to account?

For a film you probably haven’t heard of ‘The Statement’ has a great cast with recognisable names well down the list. Folk like Colin Salmon and Frank Finlay show up for five minutes and are never seen again. I guess shooting in the south of France did appeal!

Caine, who looks like Edward Woodward in ‘Common as Muck’ throughout this film, is pretty good as the conflicted collaborator and murderer. He’s conflicted in the sense he’s a devout catholic but doesn’t mind killing folk and threatening his wife‘s (Charlotte Rampling)  dog (Benni). He clutches his religious medal and prays at the drop of a body but it was hard to take to him despite his nifty shooting and roof running skills. If you don’t like Caine’s character much you don’t get much from the ‘good guys’ with Tilda Swinton and Northam not exactly setting the screen alight. A lot of the film is taken up with arguing and looking through records, and they could have trimmed 20 minutes from the middle third no bother at all.

That’s not to say it wasn’t a decent effort with a couple of exciting scenes and workmanlike, if unspectacular, acting throughout.

Some of it was a bit far fetched though - the Catholic church covering up decades of misdeeds? Surely not!

THE Tag Line - Deserves a Caineing 58%