No.57 : The Ghost (2010)

The Ghost at the IMDb

No spooks here; ‘The Ghost’ in question is a ghost writer hired to re-write the memoirs of a former British Prime Minister after the original scribe takes a dive off a ferry.

The story is so clearly based around a certain former PM that they could have called it ‘The Tony Blair Story’ and it wouldn’t have been any more obvious.

Anyway the writer in question is played by Ewan McGregor who starts off with an annoying accent that he wisely ditches early on. He’s hard drinking and lacking in scruples especially when $250k is dangled for the re write job. He heads off to Massachusetts to meet the former PM who is played by Pierce Brosnan in his usual dependable but predictable manner. He is married to the feisty Olivia Williams and has the slutty one off ‘Sex and the City’ as an assistant.

As Ewan and Pierce start to go over the latter’s life a story breaks of war crime charges being brought against the former James Bond by his former Foreign Secretary. Ewan has to move into Brosnan's home to get away from the protesters and is soon moving into his wife as well. Now ensconced into the dead ghost writer’s room he discovers some photos and a phone number which lead him to betray his lazy hack credentials and begin an investigation that’ll threaten his life and reveal some frankly quite dull conspiracies.

‘The Ghost’ is a decent enough thriller but the finale lets it down badly as do the revelations which are pretty low key. The mystery itself takes an age to unravel and some of the conundrums like the conflicting dates had to be slowly explained to me to reveal their minor significance.

Other well worn devices like the checking of the sat-nav and the most helpful Google searches you’ll ever see make the whole thing seem a bit pat. There is a small element of danger introduced with the familiar ‘men in black car following’ used to no real effect.

Of the cast Olivia Williams is the best as the ‘power behind the throne’ wife although her bed hopping antics didn’t really ring true. Brosnan is OK as the slightly unhinged and a bit dumb former PM and McGregor is decent in a significant role. Obviously working with director Roman Polanski is a great draw to the acting community with familiar faces all over the place which can sometimes hinder a film as the audience keep stepping out the narrative to say ‘what was he in again?’.

At over two hours the film drags on a bit and when the foreign secretary gets out the manuscript and starts reading I thought we were going to see him read every word. The direction and script were fine but for the most part the film was a bit of an anti-climax where not a lot happens. A similar but far more enjoyable film is ‘Spartan’ and if you’d two hours to kill I’d go with that.

THE Tag Line - Ghost Lacks Fright Or Bite 65%

No.56 : The Joneses (2009)

The Joneses at the IMDb

You have of course heard of the expression ‘Keeping up with the Joneses’ well now you can watch the film version. What next? ‘Pot Calling the Kettle Black : The Smackdown’?

The film’s slight premise makes it almost as disposable as the consumerism message but if you like beautiful people showing off with a hit of morality to sweeten the deal ‘The Joneses’ may just be the thing for you.

The film opens with a yuppie couple, David Duchovny and Demi Moore, arriving at their new home with their two kids. Their house is swanky and their cars are delivered on a trailer. Their house has no expense spared with every gadget and aspirational gadget you could wish for. So far so American dream, but all is not as it seems.

The family are actually a group of actors who are placed in affluent communities to show off all the gadgets and accessories that people don’t realise they actually want or really need. It starts off quite low key with a dinner party for the neighbours but pretty soon Demi is flashing the dessert packaging and David is waving his new golf clubs under his buddies’ noses.

As you would expect cracks start to show and the frankly quite communist message of ‘stuff isn’t everything’ starts to creep in. A promo for cheap booze goes wrong when a girl gets hurt drunk driving and the Jones boy gets a slap for trying to kiss his jock buddy. The slutty daughter gets undone when her romance sours and the inevitable sexual tension between the two leads boils over.

Meanwhile the neighbours are buying all the crap they can to keep up with the Joneses and soon the debts start to build. As we reach the tragic climax our materialistic heroes have to winder if love can find a way and whether they can give up that frankly very nice Audi.

‘The Joneses’ is an OK sort of film but I bet those who enjoy it most will be the same people who run out to buy the earrings that Demi flaunts. People like nice stuff and although the anti-greed message is sledge hammered home you are still left wondering where David got that nice running top.

The two leads do quite well and although there isn’t a lot of chemistry between them that’s kind of the point. That is undone somewhat in the last ten minutes when you are expected to believe that they actually are in love and giving it all up for a chance of happiness.

Of the second string I liked Bill Lumbergh as the neighbour with the demanding wife. His desperation was a good counter point to the vapid lead characters although he could do with a bit of training on how to ride that lawn mower.

The central premise of the film that corporations put families in communities to sell their products seemed a bit flawed with their reach and cost seemingly untenable. I know people will tell you that it’s a parable and a commentary on our consumer society but you think Audi would sell more cars by, well, putting them in a movie where everyone says ‘That’s a nice car’ a lot.

The message is somewhat lost amid all the product placement but overall the film is worth a look but maybe only as a late night TV fix. Don’t go buying the DVD - that’s what they want you to do!

THE Tag Line : Needs a Hard Sell 61%