Showing posts with label Afghanistan. Show all posts
Showing posts with label Afghanistan. Show all posts

Wednesday, 16 September 2020

No.228 : The Outpost (2020)

 

The Outpost at the IMDb

This film likes its captions. You get a few screens of scene setting information before the film starts, telling the viewer about the base in question, located in darkest Afghanistan. They tells us that an analyst described it as a place where no one would survive an attack and then you get a caption telling you about every character and location within the camp. Frankly it got a bit distracting and there was no way I was going to remember the names of the twenty odd captioned characters anyway.


Fair enough the film is “Based on a True Story” so authenticity is important, but show, don’t tell! Anyway the film is basically a modern day ‘Zulu’ with an out numbered group of American soldiers facing off against the Taliban legions who besiege their poorly positioned camp.


The film opens with random insurgents taking post shots at the base. The American mortars take care of the threat and head honcho Orlando Bloom, dusting off his ‘Black Hawk Down’ accent, goes about his business of running the camp. He has the usual misfits to deal with but soon has other things on his mind like a severe lack of roads. With Orlando out of the picture a new officer takes charge and his guided tour gives us another chance to reacquaint ourselves with all details of the camp and staff - I was worried that there was going to be a test!


After half an hour, with visits to the local tribes going well, with some rifles surrendered, we know it’s all about to kick off big style. We meet with the five commanders of the base over the course of the film with their section predictably introduced with a caption.


The headline battle starts about an hour into the film and lasts pretty much to the end. It is stirring stuff with acts of heroism shown alongside cowardice and multiple explosions. Some of the characters we meet don’t make it and others step up in the face of adversity. I didn’t know of this battle before watching the film so it was genuinely exciting although I did have a good idea how things would pan out.


Overall this was an good film that borrowed from several better films. Most military clichés were trotted out with things like the worrier overcoming his doubts and the old favoutites of getting ammo to the front and the taking out of a troublesome sniper all present and correct. They even had that bit out of ‘Saving Private Ryan’ where Hanks’ pistol blows up a tank and then he realises that the explosion was in fact the result of his long awaited air strike.


The action cost the lives of eight US servicemen and untold numbers of Taliban cannon fodder. It therefore didn’t have the body count of many other war films and they did well to have you invest in the characters with a long preamble. The closing captions (natch) outlined that the base was an accident waiting to happen but that didn’t detract from the brave actions of the soldiers, with those killed in action being shown in photos  as their true selves along side footage of the actors who portrayed them.


Like ‘Blackhawk Down’ the film depicted what would probably be described as a bad day for the military, but the spirit and sacrifice of the men made it a positive experience.


The Afghan action was actually filmed in Bulgaria but no expense was spared in terms of the spectacle and destruction depicted on screen. It may not be the best war film you’ll see but it was a worthy one, with great action and a lot of information given to keep you informed. Maybe even too much!


THE Tag Line : Zulu 2 : The Afghan Years  68%

Monday, 15 June 2020

No.183 : The Objective (2008)



Box office Mojo gives this film’s domestic gross as $95. Having watched it, that seems about a hundred bucks more than it’s worth.

We open with a portentous voiceover which is never a good sign. CIA Agent Keynes tells us that 3 days after 9/11 mysterious signals were detected in the Afghan desert and he’s been sent to investigate. He meets up with the usual rag tag of soldiers who accompany him on the mission.

The briefing takes all of a couple of minutes as he explains they are going to get a statement from a holy man. The mission starts off OK as they visit some locals and hand out some candy. They gain a guide in the form of Abdul and head off to the mountains, where the holy man is hanging out.

Almost immediately they are attacked in an ambush and lose a soldier. They kill a few terrorists but their bodies mysteriously disappear. The fire fight takes out their jeep and most of their water supply and things predictably go downhill from here.

Keynes stays aloof from the men and is constantly peering at his thermal image camera. They witness some strange lights and before long their numbers are whittled down as men are vaporised by an invisible enemy.

Eventually Keynes comes clean to his rapidly depleting crew - they are trying to track an ancient and terrible force that took care of some British troops in the first Afghan war and which was documented by Alexander the Great. Unfortunately for us it’s not exciting aliens or monsters but some lights that form a triangle - excitement she wrote!

With further loses to dehydration and desertion, Keynes is on his own but he finds an oasis in the desert. Just as he has hope of recovery, his camera picks up a new image - will this be death or salvation?

I didn’t enjoy much about this film apart from the great Moroccan locations that doubled for the slightly more hostile Afghanistan. The acting was uniformly terrible with the lead being the most wooden turn since Pinocchio. The voice over was pretentious with philosophical gubbins being trotted out at every turn. The usual men on a mission clichés were all present and correct as was the standard ‘unit depleting one at a time‘ narrative.

The end, and indeed the whole film, didn’t make a lick of sense and I was really none the wiser about what was going on as the credits rolled. It could have been interesting given the location and overarching ideas in play, but the execution was awful and compounded by a terrible script and lamentable acting.

The Tag Line : Your Objective : Give this a miss! 23%