Showing posts with label sink estate. Show all posts
Showing posts with label sink estate. Show all posts

Wednesday, 17 June 2020

No.185 : The Guvnors (2014)



Another episode of Alan Partridge’s ‘Bad Slags’ now as we visit one of England’s finest sink estates and watch people carving each other up.

The film opens with two men confronting each other with one demanding the other shoots him. There’s the usual nonsense about street cred and respect before we dissolve to ‘1 month before’. Oh good, a non-linear narrative - this one takes about an hour to unwind so you could really just fast forward it and you wouldn’t miss much.

We meet Adam, a scarred youth of mixed race who runs the local estate. Not in a civic amenities sense, more that he’s in charge of the brawling and the drugs. Someone has blabbed to the cops so he carries out a public slashing with his soon to be signature move with a Stanley knife. He’s concerned that he isn’t getting the respect he deserves and hates hearing about ‘The Guvnors’ a group of football hooligans from 20 years ago.

Meanwhile city worker Mitch is having problems of his own. His workers are obsessed with street fight videos on Youtube and his own son is a right wee prick who bullies his classmates. It turns out that Mitch was the leader of the Guvnors but left 20 years ago when he fell in love.

Adam’s gang decide on flexing their muscles in the Guvnors’ old pub but end up getting handed their asses by retired gym owner Mickey, played by an unrecognisable David Essex. Essex enjoys a brief moment of viral video success but soon the feral youth are at his door and jumping on his head.

The police are ineffective - possibly because they have home made uniforms and possibly because they have recruited comedian Richard Blackwood for some unfathomable reason. It’s therefore up to the Guvnors to reclaim the streets and to avenge Essex. Will it all end in tears? You betcha!

This was a terrible offering but to be honest I did enjoy the ‘what cliché next’ game that the film offers throughout. I also enjoyed its aspirations, looking as it did to set what was essentially a squalid street brawl as something from a Greek Tragedy. There were efforts made with the sepia toned flashbacks being a nice touch, although ‘Wembley Stadium‘ looked like the local dog track. The eulogising of the Guvnors was a mistake as they just came across as a bunch of self satisfied thugs despite efforts to make them look like the less bad option for the estate.

The feral youth were no better. The lead villain Adam, who was played by someone out of Rizzle Kicks (apparently) was very poor. He’s slightly built and talked very slowly. I’m sure that was to give him some menace and gravitas but he just came across as a slow learner who’d won a competition to be in a film.

The big twist of a dynastic struggle was signalled from far off and the massed pitched battle finale made ‘Game of Thrones’ look like, well, Game of Thrones. The themes of trying to escape your past, destiny and fate were all touched upon, but soon set aside in favour of another whack over the head with a house brick.

I imagine the target audience for this film would lap up the sadistic violence and hooliganism but it made me just want a shower as the credits rolled. A guilty pleasure or just plain guilty of making a bunch of scumbags look like heroes? Second one.

The Tag Line : Complete With Anchorman Style Pitched Battle!  45%


Thursday, 28 February 2013

No.73 : The Veteran (2011)



What a rip off ; there was nobody healing animals at all throughout this film!

What we get is a kind of ‘Harry Brown’ meets ‘The Bourne Identity’ as a soldier returns from Afghanistan to his sink estate home to find it under the control of drug lords. Our man isn’t intimidated and smacks a few around. The local kingpin is impressed and offers him work which he refuses, despite the veiled threats of 'choosing sides'.

Meanwhile, a meeting with other ex-soldiers gives him the chance to get back to some kind of work, running black ops for a shady intelligence outfit, as you do. All the while we realise he is on the edge, with subtle clues like him constantly punching walls giving away his inner torment.

His first operation goes well as he uncovers a back street bomb factory but he soon gets in deep as he befriends a possible double agent woman and engages with his always shouting boss, Brian Cox. He slowly realises that his two worlds are not so far apart and that and it’s going to take a lot of shooting to clean up the estate and stop a possible terrorist outrage.

I didn’t really take to this film from the off. The grim sink estate setting and washed out colour palette did nothing to draw me in and the lead lacks any sympathy or charisma whatsoever. The feral yoof were well realised but it never really touched upon why they are being furnished with Uzi 9mms by the shady intel community. They is some blather about ‘GOD’ - Guns, Oil and drugs but why the poweres that be would align themselves with some foul mouthed youth isn’t addressed.

 I think the director was trying to set a sense of disconnectedness with our hero’s action scenes being so random that we weren’t sure if it was real or fantasy. This is maybe burrowing too deep, as at the end of the day it was a mish mash of a plot tail-ended by some crowd pleasing vermin control.

It is hard to be too tough on a film that clearly has a shoe-string budget but if the script had been more rounded and clear there would be a decent film to be had here. Brian Cox looks like he did his couple of scenes in a day, despite his high billing and although you might recognise a couple of faces the names will escape you.

The blood soaked finale was out of step with the rest of the film and you have to wonder if they thought- ‘Sod it let’s have a big shoot out’. The action was well choreographed and the hardware impressive. The finale with its hints towards a damned future was seen a mile off and it’s just a shame things ended with so many plot threads left hanging.

THE Tag Line : Call a Vet - this needs shooting  56%