No.205 : The Informers (2008)

The Informers at the IMDb

Based on a book by Bret Easton Ellis and boasting a stellar cast, I had high hopes for ‘The Informers’ but alas it was a bit of a mess, although a mess with a couple of decent ideas and scenes.

The film is set in L.A. in 1983. We open with a great looking party with everyone wearing neon and looking like escapees from the set of ‘Miami Vice’. The dreamy feelgood vibe lasts for all of two minutes as one attendee wanders out into the road and bleeds to death in his friend’s arms after being hit by a car.

The incident has a greater or lesser effect on a wide range of characters, and we follow seven separate stories, some of which intertwine, and others which barely reference the event at all.

I won’t go into intimate details of the plot as that would take all of the 100 minute run time to map out. The main events were a love triangle between Billy Bob Thornton , his wife (Kim Basinger) and the TV anchor he’s having an affair with played by Winona Ryder.

We also meet an English band who are jetting in for some concerts and to shoot a video. They are managed by a barely seen Rhys Ifans and have a lead singer who is a total nonce. There is also a plot involving a hotel worker whose uncle, Mickey Rourke, comes to stay and gets him involved in a kidnap plot, and a group of teens who all sleep with each other, often at the same time.

The hedonistic and seamy lifestyles we look in on slowly start to unravel and  as they play out we have to wonder if we really care what happens to these privileged and hedonistic assholes.

As you can imagine, there is a lot going on here and it’s a difficult balancing act to keep all of the balls in the air, and it's one the director fails to manage. The main love triangle plot was dull whereas I could have done with a lot more about the kidnapping. Chris Izzak and his son looked like they had fun in Hawaii but I missed the point and the rock star plot didn’t go anywhere.

I think that this was supposed to be an essay on 80’s culture and excess but it just came across as a bunch of rich folk with too much time on their hands. I guess the ‘informers’ of the title is a suggestion that they are each informing us of a flawed element of society. That, or it was just a load of good looking people having sex and taking drugs?

Reading the details of this production, I see that it suffered in the edit with a vampire plot from the book excised from the movie. That’s a shame as the film could have done with an extra element, supernatural or otherwise, to take it away from the self-indulgent mess that we ended up with.

There is a star name in nearly every scene but Thornton and Basinger were well off their Oscar form and only dear Amber Heard appeared to put everything into her role. I wouldn’t write it off as a complete waste of time, but the film certainly represents a wasted opportunity.

THE Tag Line :The 80’s Without the Fun  53%

No.203 : The Judge (2014)

The Judge at the IMDb

Alas this isn’t another film about Judge Dredd, but an overlong court room drama starting Robert Downey Jnr and Robert Duvall, who we recently saw in the more enjoyable The Outfit.

Downey plays Hank, a slick lawyer who will defend any client no matter how sleazy. He earns the big bucks and has a cute daughter, but his marriage has failed and he is estranged from his family. As a big case is about to close and just as Hank moves in for the kill, he gets a call to advise that his mother has died. The court adjourns and Hank heads back to his sleepy Indiana birthplace for the funeral.

He drives in a new truck, that looks for all the world as product placement, before meeting up with his two brothers, including a fat Vincent D’Onofrio, and his father Duvall, who was the town’s judge for 40 odd years. Hank has a drink and a squeeze with an attractive barmaid before meeting up with his old flame Vera Farmiga who you’ll know from ‘Up in the Air’. We learn that Hank went out to a concert one night and never came back, but fortunately Vera is most forgiving.

Hank gets a lift from Vera ,after falling off his bike, and he meets her daughter who just happens to be the barmaid he had kissyface with. She’s on break from law school and there is a brief suggestion that Hank may be her father.

Meanwhile damage is found to the front of Duvall’s car and he’s charged with killing a man by knocking him off his bike. It turns out the victim was a criminal whom Duvall had treated leniently but had gone onto kill a young girl. Duvall can’t remember the hit and run and is suffering from cancer and early onset dementia. Hank agrees to defend his Dad with the aid of Dax Shepard’s idiot lawyer, and they are soon up against Billy Bob Thornton, who has a score to settle against Hank.

Will the old man go down? Well what happens is…Objection! Watch it yourself or you can guess. You’ll probably get it right!

This was a decent effort but at 140 minutes it was too long. A lot of time was spend charting Duvall’s demise and to be honest I don’t need to see him shitting himself and getting showered down. It may have been a touching moment of weakness for a proud man, but I’d have been happy with a tell don’t show scenario here.

Hank’s journey was predictable as he started to see both sides of an argument to the extent that he was pondering taking over the judge’s chair at the end. The courtroom scenes were decent as the unbreakable case was slowly picked apart. There was too much of ’Objection your honour’ and too much latitude given when they started yelling out random stuff with the judge happy to see where it went.

The conclusion was balanced to some degree, with everyone winning but also losing, and with justice seeming to be served. Downey did his usual good show but if he donned the Iron Man armour half way though you wouldn’t be surprised. I could have done with more of Dax in his David Pleat suit, and it was a shame he didn’t get enough to do to earn ‘Employee of the Month’ this time around.
The will they won’t they love story didn’t go anywhere and the lovely Vera seemed a bit desperate.

There was some growth, some reconciliation and some redemption but alas too little editing. Trim an hour and you’d have a neat 90 minute drama rather than this meandering and bloated soap opera.

THE Tag Line : You are Judged to be Too Long!  67%