No.246 : The Gift (2015)

The Gift (2015) at the IMDb

Jason Bateman and Rebecca Hall star as a yuppie couple who relocate to L.A. and get some nice presents. Well they do, but ‘the gift’ of the title is something far more sinister - or maybe not, it all depends on your point of view.

Bateman and Hall are trying for a baby and seem to have an ideal lifestyle in the suburbs with their dog. Trouble looms beneath the surface however, with Hall seeming a bit too keen on the contents of their friend’s medical cabinet and I’m not talking about the piles cream that we all have. That most people have, not me.

On a trip to the shops the couple meet up with Gordo, an old high school friend of Bateman’s. He’s a bit creepy and Bateman fobs him off with a fake phone number. There’s no film in that however and they are soon beset with gifts of wine and fishes from Gordo who also invites them over for dinner. That turns out to be a bust, especially when it’s revealed that Gordo’s palatial home isn’t even his. 

It’s clear that Gordo is a total freak and the rest of the film will deal with him stalking our yuppie heroes. But wait! They don’t want to go down that route so things start to slowly dismantle with the roots of Bateman’s and Gordo’s relationship explored. Is Bateman all he seems and who is the real victim here?

As the tension ratchets up Bateman is vying for a promotion with one other candidate and Hall falls pregnant after the couple have tried for ages. Can these events play out in a nice and convenient manner? No chance - as the birth approaches Bateman and Hall question their relationship whilst we are left to wonder if Gordo is a pyscho or the real victim here. Will the final gift tie up all the clues or will it be something to return for store credit? Should have provided a gift receipt really.

I enjoyed this film that had Bateman playing against type with his usual everyman persona giving way to a nasty bully. He had clearly made a huge mistake in engaging with Gordo and that was never going to end well. Gordo was played by Joel Edgerton who also wrote and directed and he did a good job juggling all the responsibilities. His Gordo was the right level of creepy with an air of the pathetic, although I was less convinced by him towards the end when he turned out to be the master planner and manipulator.

The first half hour of the film was very familiar and I’m glad they deviated from the path of the obsessed stalker and made things a lot more interesting. Bateman was his usual reliable self with the added mean streak a welcome distraction. There was a bit of victim wish fulfilment going on, but the film was well paced with the surprises earned and satisfying.

All in all this was a welcome gift on Amazon Prime and one that would give you an even better reason for avoiding your high school reunion.

THE Tag Line - Better to Give Than Receive 71%

 

No.105 : The Change-up (2011)

The Change-up at the IMDb

One word or two? Hyphen says one!

Ryan Reynolds and Jason Bateman star in this high concept body swap comedy.

The pair play life-long friends with Bateman a successful lawyer with three kids while Reynolds has an enviable loafer lifestyle devoid of commitment or worry. The two discuss their lives over some beers and when they take a piss in a fountain their expressed dream of wanting the other’s life is granted by the statue looking down over them. OK it’s a lot of twaddle but at least they mock the plot themselves when explaining the situation to the wife.

What happens next is essentially two fish out of water stories for the price of one as the slacker has to cut it in the corporate world while the lawyer has to try his hand at soft porn and bedding sluts. It is better than it sounds but you can probably guess that both learn to appreciate what they have and to be more considerate to others. Again this sounds terrible but for compensation there is also swearing, ample nudity and a baby that projectile shits into someone’s mouth.

The plot is easily covered in a couple of paragraphs but there is a lot to recommend the film not least the two leads who seem to be having a lot of fun with the sometime ribald material. Bateman is always good value and he does well shifting gears from the stuffed shirt to the layabout who sometimes manages to outwit rooms full of high flying merger analysts. Reynolds gets more of the fun as the slacker who has small time acting jobs in low budget pornos. He also has some funny scenes with a heavily pregnant love interest and with Bateman’s wife who really should learn to close the bathroom door.

To pad things out there is also a couple of subplots one of which involves Bateman’s co-worker Olivia Wilde whom he arranges a date with Reynolds whose body he presently inhabits. That’s the trouble with these body swap films it always sounds more complex than it is and I for one need to keep reminding myself that he’s not who he looks like, he’s the other one. The film addresses this towards the end as a panning shot shows our men alternate between their real and assumed persons as people pass by.

The message of the film is signalled from the off with Bateman not appreciating his family and Reynolds’ avoiding his father’s (Alan Arkin) wedding  - both could do with a wake up! The power behind the switch is never addressed and it really doesn’t need to be - it’s basically an excuse for two hours of growth, values and toilet humour.

Overall the film is a bit too long to maintain its thin plot and although well made and offering a liberal sprinkling of sex and vulgarity it could have done with some tightening up. That’s said it was far better than I was expecting when it started with some nappy changing and there were enough surprises, mostly naked ones, to keep me watching.

THE Tag Line - Boobs, Bonding and Baby Shit  69%

No.95 : The Switch (2010)

The Switch at the IMDb

Poor old Jason Bateman - he does such good work in TV shows such as ‘Arrested Development’ and in movies like ‘Up in the Air’, ‘Extract’ and even ‘Identity Thief’ but sadly, every so often, he has to sign up to stuff like ‘The Switch’ to presumably pay the bills. The film isn’t terrible but it  is so unimaginative and forgettable that you’ll have cleared it from your mental cache as soon as the credits roll.

Bateman plays Wally Mars a likeable but slightly unusual New Yorker who has yet to meet the right woman. He’s no out and out weirdo but wears tank tops and is the choice of transient mentalists when walking the streets of the Big Apple. He is best friends with Jennifer Aniston, although there is no reason given why they are friends and not shagging - he’s not gay you see. They completely bypass the whole ‘When Harry Met Sally’ thing and have the relationship set at ‘platonic’ from the off.

We know he wants more from the relationship as Jennifer is so lovely, but apart from confiding in his boss, Jeff Goldblum, Jason does nothing to seal the deal. Jennifer however is worried that her biological clock is ticking and lines up a sperm donor in the shape of ‘Little Children’ and ‘Watchmen’s Patrick Wilson to supply the population paste.

She throws a tasteless insemination party where the donor and his wife along with a gaggle of friends show up to sell the man fat. Wilson does his duty into a cup but when Bateman finds the sample when he hits the toilet he decides that maybe his man paste is the product of choice. He forgets all in a drunken haze but we are given clues the next day when Goldblum recounts tales of a late night visits that suggests Wally has been generous with his muck.

We flash forward seven years and Aniston has decided to return to town following the birth and raising of her child in Montana. We know that Bateman is the likely daddy and when they meet up the boy’s introspective character certainly suggest he has child support payments in his future. Several unlikely scenarios serve to bring Bateman and the boy closer together but when Aniston reveals she’s started to date the alleged surrogate we have to wonder who is the daddy and who will end up with the frankly needy Jennifer.

This ‘Who’s the Daddy’ rom-com is OK but it is also undemanding and for the most part unfunny. The central relationship between the earnest and likeable Bateman and the flaky and unreliable Aniston is poorly formed and they have no chemistry whatsoever. That said it’s better than that between Wilson and Aniston which is totally devoid of any believability. The idea of a straight man having Jennifer as a best friend was feeble from the off and although they set him up as a tank top wearer it beggared belief that Bateman wouldn’t call her out early on for leading him on.

The first arc that leads up to the insemination was without laughs and not least because of Aniston’s friend, Juliette Lewis who can’t do comedy and who hasn’t had a decent role since ‘Strange Days’ - don’t come it, ‘Starsky & Hutch’ was rubbish!

‘Seven years later’ was a bit better due to the rapport between Bateman and the boy but the whole tacked on relationship with the surrogate seemed forced and unbelievable from the off. The three acts were clearly marked and when Aniston told Bateman she didn’t want to see him again an hour in you knew things were going to work out fine.

Overall there was nothing to offend or greatly dislike in ‘The Switch’ it just seemed a waste to produce something so formulaic and dull given the talent available.

THE Tag Line - More Fun With the Cup
57%

No.53 : The Ex (2006)

The Ex at the IMDb

Our shortest title to date - Hurrah! And the title foxed me too! I thought the happy new parents we saw at the start were going to fall out when he loses his job, but no! ‘The Ex’ in question is a high school sweet heart of the wife who tries to come between the happy couple.

The film opens with the couple, Zach Braff and Amanda Peet choosing baby names. I was a bit worried that it was going to be a bit cutesy pie but it quickly got on track when our hero meets a couple of ass holes in the shape of a braggart school chum played by Josh off ‘Sports Night’ and a horrible boss played by Brian Fantana off ‘Anchorman. The kitchen scene was a cracker and a must see for anyone planning on losing their jobs.

With Zach sacked he heads off with wife and baby to take up an advertising job with her father in Ohio. The office is populated by various people you’ve seen in other films including an underused Amy Poehler as an off kilter employee. The main action takes place in the trendy advertising loft as Zach meets ‘The Ex’ in the shape of Jason Bateman’s wheelchair bound manipulator.

What follows is a familiar tale of mind games as Bateman humiliates Zach and starts to turn everyone against him. Some of his schemes are pretty funny and it kept the offbeat nature of the film on track. Soon Zach has a chance to shine when he discovers a child star who can do a trick that’d never get on TV - mass chokings anyone?

With Zach alienated Bateman starts to make a play for his wife and we have to wonder if the most obvious of the two obvious twists will be used - wrong! - they use both the obvious twists!

I didn’t expect to like this film seeing as Braff is usually as funny as cold sick but he made the wise move of surrounding himself with some great talents to largely favourable results. Bateman is great playing his usual smarmy bastard and does his familiar over friendly, but not really routine. He came across as genuinely mental and his manipulative schemes were all good manic fun.

I suppose we were meant to side with Zach but he’s such a douche that you wonder how he got a knock out wife and hope that his slacking will see him undone. The last act let the film down by being too predictable and by having the wife shift her character 180 degrees in 30 seconds.

It’s a shame that guys like Paul Rudd and Amy Poehler only got cameos but their scenes gave us the biggest laughs and there were plenty of other familiar faces to keep us interested, such as Mia Farrow as the under written mum.

Given some of the tat that qualifies as entertainment I thought this funny and well made film would have enjoyed a higher profile. Yeah, there is a bit of baby and relationship stuff but you also get a sauce fight and plenty of cock gags so it’s well worth a look as a ‘date night’ movie.

THE Tag Line : Ex-cellent - Well Quite Good At Any Rate 69%