No.182 : The Duellists (1977)

The Duellists at the IMDb

Off to the early 19th centaury now, in this historical romp which was director Ridley Scott’s first feature.

We open is Strasbourg with hot headed Harvey Keitel’s cavalry officer winning a duel by running his sabre through an unfortunate rival. The bosses aren’t too impressed and as Twitter is still 200 years away they send Keith Carradine over to tell him off. Unfortunately for Carradine, Keitel is duel mad and immediately challenges him to a showdown. Honour dictates that the challenge must be accepted, but being an able soldier Carradine manages to win the day. So that’s that then.

Of course not, as he survived Keitel can challenge again and again and again. The battles continue through the years with the backdrop of the Napoleonic wars raging as they look to sort out their personal beef. Frankly it’s no surprise that Napoleon lost, given his officers were so distracted with their own set-tos.

Both men enjoy varying military careers with Carradine doing better because he can follow orders and stuff. Keitel on the other hand becomes more bitter and when Napoleon is unseated is only saved from being executed by Carradine’s secret intervention.

With the war over and Carradine retired and married, albeit with a limp, a final challenge is received - who will survive this final battle?

This was an excellent film that ready bounded along. The central premise seems a bit daft but it was based on a true story of two Frenchmen who had more than 30 duels between them. The whole thing was bound upon honour with turning the other cheek meaning shame for you and your regiment. Keitel is great as the mental Feraud, complete with his nice ponytails. It’s not clear why he zeros in on Carradine, who is nothing but nice, but that’s the obsession in our Harvey.

The narrative device was good in allowing us to see the many theatres of the Napoleonic wars, with the two bumping into each other all over the place, even in Russia. Well it looked more like Scotland, but you get the idea.

The costumes were the standout with the Hussars uniforms a thing of beauty - Adam Ant clearly took notice. The limited budget was on show however, with the invasion of Russia involving about 30 guys. That’s not to say the film looked cheap, often it was sumptuous, but clearly there were limits in their ability to recreate a Pan-European conflict.

You are meant to favour the skilled but slightly dull Carradine over the hot headed Harvey, but I did like Keitel’s mania and devotion  to his flawed cause. The cast in general was excellent with some familiar faces getting a run out such as Alun Armstrong and Pete Postlethwaite as well as Tom Conti, pre-Rumikub commercials.

Overall this was an excellent and engaging offering which is well worth a look on Amazon Prime - for a short time only!

THE Tag Line :  Get it Up Ye!  80%

No.172 : The Martian (2015)

The Martian at the IMDb

As my regular reader will attest we’re not fans of the tent pole film here at the Definitive Article Movie Blog. We avoid the obvious and search out the niche films that you’ve never hear of, or have no interest in ever seeking out. We don’t deal in absolutes however, so I thought we’d have a look at ‘The Martian’ which has become my favourite Definite Article film.

Quiet at the back! We’ve never covered ‘The Shining’ or ‘The Warriors’ and on a Google search on the highest profile IMDb film that we’ve reviewed, the result the passable but hardly stellar ‘The Impossible’; so why ‘The Martian’? Well, it’s just so damn good and immersive. I must have watched it about four times and every time I’ve been suckered in early on, on E4+1 or similar and stayed for the duration. It’s like ‘Clear and Present Danger’ in that its structure demands you watch for just another five minutes, and another and another and before you know it, two hours have passed, and your pizza has dried up.

The film is based on Andy Weir’s book which I read and enjoyed having watched the film. The book is superior in that it delves deeper into the science and avoids the large gaps that the film inevitably has to, to ensure a two hour run time. The film is however a triumph in translating the book and in making the science accessible. I just hope that one day they release a ten hour version of the film so that all the tiny details can be explored.

Anyway, Matt Damon plays Mark Watney, a botanist astronaut who is accidentally left behind on Mars after he’s thought dead when a storm causes his crew to evacuate in a hurry. He survives though after his blood and an aerial spike block the hole that stabbed him through his health monitor and caused his crew to think him dead. His quandary is that he has no way to contact NASA and it will be four years before a rescue mission can be sent, and he only has food for one. His resolution is to science the shit out of things and he proceeds to do so in a variety of plausible if slightly fortunate ventures, that include salvaging the ancient Pathfinder equipment that is luckily close by.

That’s not to say its an easy ride, as the harvesting of a crop of potatoes takes the best part of an hour with every success well earned and enjoyed by the audience. Meanwhile back on earth a cavalcade of celebrities, including Jeff Daniels and Kristen Wiig, try to came up with a way to bring our man home against a soundtrack of disco favourites.

Towards the end the progress is on fast forward somewhat with Watney’s 3600 mile journey to the new launch site and his trip back to earth covered with indecent haste. I imagine the editor must have had a nightmare though, as the early work in setting the challenges had to be offset with the eventual payoffs.

I liked the NASA stuff with the internal politics and budget concerns as much a threat as Martian storms and potato blight. Some bits were a bit on the nose with Donald Glover’s explaining a slingshot to NASA bigwigs seeming somewhat unlikely - I’ve heard of them and I’ve only seen Star Trek. Director Ridley Scott was obviously aware of the need to keep his audience informed and for that reason I can accept the conceit.

I always enjoy the crew of the Hermes scenes the most with the camaraderie and the unquestioning sacrifice for a lost colleague the kind of stuff that always gives me the gulps. Who knows in the real world if they would risk the lives of many and spend the billions of dollars to give one man another what? 50 odd years at most? I’m glad they did in the film - the scenes of the crew being reunited and the world gasping as one were excellent, and as big a ‘oh yeah’ as when Rocky Balboa chopped the big Russian down.

Well done ‘The Martian’ your definitive crown is well earned.

THE Tag Line : A Mars for 581 days will help you work,rest and make a good film  -  90%