Showing posts with label robert de niro. Show all posts
Showing posts with label robert de niro. Show all posts

Sunday, 18 October 2020

No.235 : The Irishman (2019)

 



I’d put off watching ‘The Irishman’ due to its infamous length of over three hours, but having watched it in two sessions it just flew by and it’s certainly one you should look up. That said it could have done with some serious editing with a lot of stuff padded out, or not really necessary to tell the story.

The Irishman of the title is Frank Sheeran, a hit man and union leader played by Robert De Niro. We meet him at first in an old folks home where he’s recounting his story to an unseen person. His story dissolves to a flashback where he, Joe Pesci and their wives are heading to a wedding. Their car breaks down and De Niro and Pesci reminisce about how they first met. So the flashback becomes a further flashback to the days when De Niro was a truck driver and Pesci a gang boss.

De Niro soon rises through the ranks of the local mob by ‘painting houses’ a euphemism for whacking people, normally with a couple of shots in the back of the head meaning their walls get a nice bit of decoration. Pesci's mob boss works closely with the Teamsters trucking union which is run by Jimmy Hoffa (Al Pacino) and De Niro is loaned to him to help out with some business. He later becomes a union organiser himself and as the years pass we witness their involvement in the Bay of Pigs and Kennedy assassination amongst other dubious events.

Meanwhile De Niro is estranged from his four daughters, mainly because he’s such a big psycho that beats up the local grocer and for all the murders. The pivotal event of the film is the famous disappearance of Jimmy Hoffa and it is covered in some detail. Seemingly the facts are disputed but the film certainly hitches its wagon to real life confession of Frank.

We meet loads of other gangsters and the film helpfully adds captions giving their names and how they met their demise - not many died of natural causes! Eventually we are back in the care home with De Niro nearing the end of his days with all his contemporaries having gone before him. Can he find redemption from the church and can he reconcile with his family?

This was a great film that was very much in the same style as ‘Goodfellas’ and ‘Casino’. I don’t think it was as good as those films, but they do set a high mark. Essentially you get a trip through 40 years of gangland violence and racketeering set against the soundtrack of the time. It is well documented that the three leads were de-aged by computer and the effect was generally good. I didn’t buy that the 70 year old plus actors were in their 40s but they certainly didn’t look their years.

The sets and costumes were great and the evocation of the eras depicted was well done. The film was too long however, and I think it could have been boiled down to two hours or at least turned into a 4 part mini series. The depiction of Hoffa’s last hours went on for an age and I don’t see what all the talk of a fish did to help the flow of the scenes. You could say it built tension, but I was losing interest as they rambled on about whether it was a cod or halibut.

There were some great supporting performances too with people like Stephen Graham, Jessie Plemons, Bobbie Cannavale and an under used Harvey Keitel all getting a look in.

Overall the film is worth the investment of your time. I think director Martin Scorsese was probably given too much of a free hand as the film was allowed to ramble and go off into irrelevant tangents, so maybe a non-director’s cut is the one to look out for!

Best Bit : Grocer gets checked out    75%


Saturday, 6 February 2010

No.4 : The Untouchables (1987)



Loosely based on that episode of ‘The Simpsons’ where Homer becomes The Beer Baron ‘The Untouchables’ tells the tale of the battle for the streets of Chicago in the 1930’s.

It’s the era of prohibition and Robert De Niro’s Al Capone runs all the rackets with an iron baseball bat, free from prosecution given that he has all the cops on his payroll. Things start to change however when treasury agent Elliott Ness (Kevin Costner) is appointed to take on the Mob.

It starts a bit slowly for the good guys, and after a failed bust that leaves Ness looking like a total parasol he decides to rethink his strategy. He firstly recruits an old Irish beat cop in the shape of Sean Connery and then Andy Garcia straight from the Police Academy - possibly because he can do funny computer noises - it isn’t really explained. To fill out the foursome they also get an accountant who should really stop going on about the tax situation - that’ll never solve anything!

Things quickly improve with a few successful raids that soom get Al on the ropes. He fights back with a few hits of his own and soon it’s down to who can survive the overlong slo-mo shootout and indeed the court room that will win the day.

I’m not a great fan of the director Brian DePalma who, apart from the opening scene in ‘Carrie’, has done little that I’ve enjoyed - his remake of ‘Scarface’ for example is practically unwatchable. This however is his best work, no doubt due to the scriptwriting of David Mamet whose work for Definitive TV show ‘The Unit’ is exceptional.

The cast all do good work too, apart from the miscast De Niro who never convinces as the psycho kingpin of crime. Sean Connery is great as Oirish copper Malone and got an Oscar for his efforts; maybe more for time served than this alone but he is undeniably watchable. His accent deviates from ‘Danny Boy’ to ‘Rob Roy’ but what the hell, he’s good value and tough as nails.

Costner does solid work in most of the films where he isn’t directing and apart from ‘Field of Dreams’ this is his best picture too. Andy Garcia makes an early appearance and despite being somewhat underused he still shows a bit of star quality.

Overall the film is a goodies vs. baddies affair and although plainly drawn they all offer a lot by way of character and excitement. I liked the white suited hit man, Frank Nitti ,who was marvellously evil and his polar opposite in the weedy accountant who was pretty tasty with the shot gun. The rights and wrongs of prohibition are never really challenged with Ness’ straight ‘the law is the law’ arrow tested when his by the book views are stretched by the scofflaw bad guys.

The violence is brutal throughout and I liked that no one was safe from a grisly death. Of course history is played with fast and loose but if you are looking for a documentary a big Hollywood production shouldn’t really be your first port of call.

It’s not all plain sailing with a few too many arty directorial touches thrown in for no good measure and the final courtroom show down between Ness and Capone, which never happened, is a bit OTT.

Overall however you get a cracking fast paced crime movie set in the always cinematic Chicago with plenty of grisly action and a few wrong foots. The sets and the Armani costumes are great as is the score by Ennio Morricone - apart from a couple of misplaced 80's synthesisers. A Definitive hit!

The Definitive Tag Line : Fought Ness Monster! 77%